Sink wall about 5 feet. Ceiling beams were added and hand-distressed with chains by the entire Juergens family-to complement the big chestnut column by the Fireplace (not shown).
Maria Juergens knew just what she wanted. "A modem kitchen with all the conveniences, but not one that looked new," she says. "I wanted a beautiful kitchen that wouldn't look out of place in our 1919- era house.“ And then she saw it: "In a magazine-it was bright, cheery, and had this old, English charm." Maria describes her home as a "pretty, Southern- type of house," one of many in an older part of Knoxville, Tennessee. Her original kitchen was tiny, so she hoped to expand. But size, she says, was less important than style. "Maintaining the architectural integrity of the house was critical to me," she says. "I didn't want it to look like an addition."
With that in mind, and with designer Heather
Hungeling standing with her at the helm, the
renovation began. Before long, they'd bumped out
an exterior wall 5 feet and demolished a closet to
reveal an aging brick fireplace. “We also widened
the opening between the kitchen and the adjacent
family room," Hungeling says. "Even with the
expansion, the kitchen was going to be small, and
we really wanted to include an island. So, the idea
was to open the space up as much as possible."
The new room is "very open and inviting, but
not in that big, contemporary way," Maria says. Her
new marble countertops are beautiful, and she loves
the strikingly old-fashioned look of her European-
made range. In the recessed cooking niche-capped
with a stately mantel a delft blue-and-white-tile
backsplash features pretty, hand-painted scenes
of the countryside. Flanking it, delicate mullioned
cabinets seem to float above the countertops.
The fnrcelay apron sink was handmade in
England, while to its left, and arm's reach away, a
built-in plate rack occupies its own corner in the
upper cabinets. "The rack harkens back to an earlier
English kitchen," Hungeling says. "You would wash
your dishes and place them there to dry."
A storage wall, with a central built-in refrigerator and pantries on either side, keeps the kitchen clutter-free. Floor-to ceiling pilasters add Victorian flavor and texture to the space.
Maria wanted a bright, cheerful kitchen, Antique cream on the walls, white marble countertops. and abundant natural light did the trick.
With the exposed brick of the fireplace, the distressed wood beams that cross the ceiling, the hardwood flooring salvaged from an old distillery, and the distinctly English color palette- a cream that Hungeling describes as “antique"-the space has become everything Maria hoped it would. “It's sunny," she says. “It's warm and cozy, full of character, and it feels old. It fits the house perfectly." And then there's the island, with its gentle curves, its dark teak top, and its tidy prep sink a spin from the range. “We managed to fit it in," Hungeling says, "but it wasn't easy." Maria, for her part, says her new island-her original kitchen lacked one-is indispensable. “I can make dinner there and watch my kids as they're doing homework in the family room. It may be small, but I use it all the time, and I love it.“
Materials mingle: white Calacatta gold marble countertops, a fluted fireclay sink. and cream cabinets with brass knobs.
The renovation unearthed an old fireplace that limited the opening between kitchen and family room, and Maria chose to keep it.
It’s imccrtarit to pick your
ReplyDeletefocal pcints in a small kitchen.
Choose your elements carefully
and then be dramatic
only where it calls fer it.